Blog #103 - Should the Batman kill the Joker?

 Please read the following article: "Why Doesn't the Batman Just Kill the Joker?" by Jesse Richards.  http://www.huffingtonpost.com/quora/why-doesnt-batman-just-ki_b_3686003.html

It brings up a few good points: 
1. The Joker will continue to kill (but does Batman murder him for future crimes - could be dangerous - or past crimes?  Joker has killed Robin, Commissioner Gordon's wife, and crippled Batgirl, Gordon's stepdaugher).
2. Batman's honor code of not killing is just a way for Batman to feel superior to the men and women of crime whom he is fighting.
3. Is Batman responsible for all of the deaths / mayhem / destruction since Batman first apprehended the Joker?  Is that chaos Batman's to own, or should it be the Joker?

Additionally, it seems, on further reflection, that the Joker, especially the way he is portrayed in The Dark Knight, is the ultimate nihilist.  Nihilism is an extreme skepticism that doesn't adhere to any moral or religious principles because they believe that life is meaningless.  In some ways, nihilism condemns existence itself.  

So, questions to answer: 
1. In which of the scenarios of the Trolley Problem do you think best applies to this situation w/ the Batman and Joker (assuming it was the Joker who is the trolley)?
2. Should the Batman kill the Joker?  Why or why not?  And if so, for what crimes - past or to prevent future crimes?
3. Should our superheroes have a no-killing code?  Why or why not?  Does it just lead to more crime?
4. Is the concept of utilitarianism useful for real life decisions?  Why or why not?

5. Is Batman a true Kantian in his refusal to kill the Joker (think Kant's practical postulates)?  

Pick 3 of the questions above to answer.  

300 words total for all 3 answers. Due Saturday, May 28 by midnight.  

Blog #102 - Ideas about Inception

 Here are some thoughts I'd like you to respond to in your answer to this blog:

1. Philosopher Immanuel Kant would likely say that both inception and extraction are immoral, despite your intentions, because because you (as the extractor) are violating the autonomy of the individual.  These actions disrespect humanity because your personal autonomy (or ability to control yourself, your thoughts, and actions) is a mark of your humanity, what makes you different than other animals in this world.  If someone has implanted an idea in your head, how can you be responsible for it or the actions that come from it?  

2. Ariadne acts like Cobb's therapist throughout the movie and helps him with the guilt that is sabotaging his dreams and memories.  In the first dream (Yusuf's, in the scene in the warehouse), Cobb tells her why he feels so guilty - because, after 50 years in Limbo, he had planted the idea in Mal's head that this world (Limbo) wasn't real and that they needed to kill themselves to get back to reality (being awake).  She brought this idea back with her into reality and flipped the idea around - her waking state was Limbo and that she needed to get back to reality (in her mind, Limbo).  My question for you is: is Ariadne practicing her own version of inception w/ Cobb by placing the ideas in his head that he needs to confront Mal's projection and rid himself of the guilt of her suicide (which he eventually succeeds in doing)?  Why or why not?  

3. Catharsis -- a concept first introduced to us by Aristotle (a purging or purification of the self or the transformation as a result of the catharsis), Cobb, Arthur and Eames have all talked about Fischer reaching a state of catharsis with his father so that their inception idea can take hold.  Reconciliation with positive emotion is much stronger, according to Cobb, than with a negative emotion.  So we see that Fischer is reconciled with his father at the end and decides to break up his company when he awakes from the kidnapping scene.  But, does Cobb reach his own catharsis when he finds that he's allowed into the United States and can finally see his children's faces again?  Throughout the movie, that's all he's ever wanted is to get back home to his kids, and the ending scene shows that reunion (with his children a couple of years older - I checked the credits - there are two different pairs of child actors).  But does this catharsis really happen because of the ending scene with the top?  Did the scene turn off before the top fell over?  
 - Cobb also has another scene of catharsis near the end in limbo when he says goodbye to Mal  "you're just a shade of my real wife..." 

4. Movie - Making - Inception, as a film, is all a dream, but it's also an extended metaphor for filmmaker Christopher Nolan.  Like a dream, the movie is a shared dream for the audience and has its own rules and functions along those lines.  Some characters and scenes happen like dreams in which there seems to be no rhyme or reason: Mal comes out of a crowd and stabs Ariadne; the train in the first dream that blasts through downtown where there's no tracks; the elder Fischer's hospital bed in a huge vault inside of a mountain fortress; Cobb squeezing between an amazingly small gap of two buildings.   Mal even makes the case to Cobb at the end that he is in fact still stuck in a dream, with feelings of persecution (the authorities or Cobol's security forces), creeping doubts, and little remembrance of how he got there.   On another thought, the way the dream team works is similar to how a movie is made - they plan the scenes and the movie sets down to the smallest details, always conscious of the audience (the dreamer's projections) and its reaction.  And, the way the movie ends with the cut scene of the top and then kicking into the music (Edith Piaf's haunting melody) as the credits roll is kind of like a dream because sometimes we are ripped out of a dream before its ending and we want to know how it ends.  Yet we can't go back.

 -- all of this is controlled by the master manipulator, the director, Christopher Nolan.  Everything in this movie is done for a reason.  Cobb is the director, Arthur is the producer who does the research, Ariadne the screenwriter when she acts as the architect, Eames is the actor and Yusuf is the technical guy that makes it all happen.  Saito is the money guy (also a producer) who finances the whole operation and Fischer is the audience who is taken for an exciting adventure by the director, Cobb.  Yet we are also the audience too, since this is a movie.  Arthur mentions continuously that they cannot mess with the dream too much, otherwise the dreamer knows something is wrong.  The same can be said for movies - when there's too much fakery or interference from the director, we as the audience snap out of the trance that the movie is weaving for us and see the movie for what it is.  We lose ourselves in well-made movies b/c we're not paying attention to the poor acting or screenwriting or plot holes or ridiculous scenes.  We care about the characters and want to see a satisfying resolution.   And so Cobb, as the director, makes an amazing movie, but also brings part of himself into the movie (Mal) which can influence the audience (she shoots Fischer in the 3rd dream).  Most of the jarring scenes in Inception include Mal.  And it's Mal who questions Cobb and raises doubt as to his true purpose.  

 - And since the movie is like a dream, it has planted the idea of itself in the mind of the movie audience as well - is this a movie or was the whole thing a dream?  This is where the movie becomes almost a meta-movie; it is Christopher Nolan dreaming about Cobb. 

Please discuss your thoughts on 3 of 4 of these topics.  300 words minimum for your total comment.   Due Friday, May 6 by class.  

Blog #101 - Questions about the Adjustment Bureau

While we watched the Adjustment Bureau, I had several questions as did many of you. Here were several of them:

1. Who was the Chairman in the film (I know that somebody found info that the director said that the Chairman was a female character in the film)? Did Norris and / or Elise see the Chairman during the film or was it earlier in their lifetimes before the film ever began? (Do you buy my idea that it was the guy that said hi to Norris on the street after the second time Norris and Elise meet?)

2. When Harry said to Elise and Norris that the Chairman rewrote the plan, the book showed a blank space ahead for the two of them.  What do you think that meant?  Does the blank space mean that David and Elise get to forge their own destiny?  Or does it mean something else?  Explain.  And what does this say about the mind of the Chairman, that two humans can change the

3. Kids in past classes have asked why there weren't any female adjusters.  I didn't have an answer for them as to that question.  I have also criticized the film's Western / Euro - centered bias when it talked about giving mankind free will during the Roman times and the Cuban Missile Crisis.  Assess the film in light of these flaws.



4. Why do you think the filmmaker decided never to show the Chairman in his/her/its true form?  By leaving this question unanswered, what was the filmmaker's intent? 

5. Think about Harry's crisis of conscience when Elise and David broke up for the 3rd time (when he left her at the hospital), and he asked Richardson about the rightness of the plan.  Put yourself in one of the adjusters' shoes and try to make sense of it all when you're only given part of the picture. Does this limited view of the big picture reflect our own view on life in general?  Why or why not?

6. Do you agree with Thompson when he says that "free will is an illusion"?  Why or why not? 

7. What is the filmmaker saying about order and chaos when Thompson tells us about the times when humans had free will and made a complete mess of the world? 

8. Looking at Harry's statement at the end (see below), what do you think is the filmmaker's message? Why?

“Most people live life on the path that we set for them to afraid to explore any other [path]/ Sometimes, someone like you comes along and knocks down the obstacles that we put in your way. People should realize that free will is a gift that you’ll never know how to use until you fight for it. I think that’s the Chairman’s real point. And maybe one day, we won’t write the plan, you will.”

Pick three of these questions and answer them for Monday, April 25 before class begins.  350 word minimum for your total answer.  Thanks. 


Some articles on the inclusion of philosophy in Adjustment Bureau: 
1. https://www.philosophynews.com/post/2011/09/05/The-Adjustment-Bureau-and-Free-Will.aspx
2. https://www.psychologytoday.com/us/blog/plato-pop/201103/what-the-adjustment-bureau-tells-us-about-free-will
3. https://maxandrews.wordpress.com/2011/03/06/the-philosophy-behind-the-adjustment-bureau/
4. http://www1.cbn.com/movies/the-adjustment-bureau-fate-free-will

Blog #100 - Agent Smith's Negative Outlook on Humanity

 

During Morpheus' interrogation, Agent Smith reveals to Morpheus why humans rejected the first version of the Matrix, the perfect version of it, 1.0:


"Did you know that the first Matrix was designed to be a perfect human world? Where none suffered, where everyone would be happy. It was a disaster. No one would accept the program. Entire crops were lost. Some believed we lacked the programming language to describe your perfect world. But I believe that, as a species, human beings define their reality through suffering and misery. The perfect world was a dream that your primitive cerebrum kept trying to wake up from, which is why the Matrix was redesigned to this: the peak of your civilization"1

This idea that humans' lot in life on Earth is suffering comes a lot from many different religions, but it's also a very negative view of life.  Is it accurate that humans' reality DEPENDS upon suffering and misery?  That's one question I'd like you to think more deeply about.  

Smith goes on to define humans as a virus that destroys anything and everything in its path; we spread across the planet like a plague and annihilate everything.

"I'd like to share a revelation that I've had during my time here. It came to me when I tried to classify your species and I realized that you're not actually mammals. Every mammal on this planet instinctively develops a natural equilibrium with the surrounding environment but you humans do not. You move to an area and you multiply and multiply until every natural resource is consumed and the only way you can survive is to spread to another area. There is another organism on this planet that follows the same pattern. Do you know what it is? A virus. Human beings are a disease, a cancer of this planet. You're a plague and we are the cure" 1

This is kind of a bleak outlook on humanity, but what would you expect from a computer / artificial intelligence who had been trying to destroy our kind for 200 years? But, ironically, these thoughts didn't come from a computer but the minds of the Wachowski sisters who wrote the script. And even more levels of irony, the Agents characters (as revealed in the sequels) are essentially viruses in the system of the Matrix (think about it - they can hop from one sentient being to another, and when that being is killed, the virus / Agent looks for another host with which to do damage).  

And since we're hopefully wrapping up the Covid pandemic (fingers crossed), I couldn't help but think of the corona virus when I watched this scene again in 2022.  In the past two years, we have seen the virus kill over 1 million Americans (and 6.2 million worldwide as of April 7) and almost half a BILLION confirmed cases across the world.  If we want any evidence that humans are NOT a virus, this pandemic has shut that notion down dramatically (though some radical environmental activists point to improved pollution levels as the pandemic being a good thing since a lot of human activity was shut down for months on end).  


Questions: 

1. Do you agree w/ Agent Smith that humankind's reality depends upon suffering and misery?  Why or why not?  

2. Does mankind act like a virus in the way we consume resources and destroy our living space? Why or why not?


Due Sunday, April 10. 300 words minimum for your total answer.

Sources:
1. Internet Movie Database - http://www.imdb.com/title/tt0133093/quotes


A little music to make the blog go easier: Shinedown's "Devour" - http://www.youtube.com/watch?v=0QXNtLaOnSE plus the lyrics for the song:

Take it and take it and take it and take it and take it all

Take it and take it and take it until you take us all

Smash it and crash it and thrash it and trash it

You know they're only toys

Try it you'll like it don't hide it don't fight it, just let it out

Steal and shoot it and kill it or take another route

Take it and take it and take it

You know they're only toys

Devour Devour

Suffocate your own empire

Devour Devour

It's your final hour

Devour Devour

Stolen like a foreign soul

Devour Devour

What a way to go

You want it, you want it, you want it, you want it

Well here it is

Everything everything everything

Isn't so primitive

Take it and take it and take it and take it and take it all

Nobody nobody wants to feel like this

Nobody nobody wants to live like this

Nobody nobody wants a war like this

Devour Devour

Suffocate your own empire

Devour Devour

It's your final hour

Devour Devour

Stolen like a foreign soul

Devour Devour

What a way to go

What a way to go

Blog #99 _ What is Wrong with Socrates?

We read the articles by Emily Wilson with her alternative take on the life of Socrates. In "What's Wrong with Socrates?" in The Philosophers' Magazine, 2nd Qtr., 2008, she listed 10 things that conflicted with the myth/legend of Socrates that we have grown familiar with.

Among Socrates' perceived transgressions (in Dr. Wilson's eyes), he was:

1. An amateur and prided himself in not getting paid;

2. Irresponsible to leave his wife and two children behind;

3. A chatterbox (talk over action is valued);

4. Psychologically naive - with statements like "nobody does wrong willingly", Wilson tears him apart;

5. Felt that pain didn't matter - if you were good, though wrong/harm was done to you, the real harm is in the sinner or the wrongdoer;

6. Anti-political - he felt that few if any are smart enough to run a government properly, but could he do it? Could anyone? If not, why have gov't in the first place?

7. Parochial - there was little that Socrates believed could be learned outside of the walls of Athens;

8. Arrogant - when Dr. Wilson says arrogant, apparantly she means ill-mannered and inconsiderate among other things listed in the article;

9. Superstitious - sometimes, philosophers mean that someone who is religious is superstitious, but the way she wrote this passage, she made him sound a bit loony (eccentric if you want to put a good spin on it) for listening to the voice inside his head. Is that voice his conscience or was hearing voices like the math professor in A Beautiful Mind?

10. Rationalist - normally, you wouldn't think there's anything wrong with being rational, but Dr. Wilson finds that Socrates puts such a strong emphasis on being rational that he leaves no room for emotion in solving problems. He is devoid of emotion.

So, your job here is to pick 4 of these criticisms and discuss whether or not you agree or disagree with them. We heard from many of you in class, and here's your chance to refine or air out your ideas. 

300 words for your total response to these criticisms, due Friday night, March 25th, by midnight.   

Blog #98 - Which of these philosophers is NOT your vibe?

  In the article, "Philosophy 101," we surveyed six major philosophers and came up with some modern-day applications / examples of their ideas. What you should do with this blog is review their ideas and pick which one you think has the most problematic views, whether their philosophy can apply to today, or if you think it doesn't make sense.  Explain why.  

I. Ancient Greece 

A. Plato - he believed in the idea of the perfect form, that there is a perfect concept for everything (person, horse, chair, etc.) and that everything manmade or natural on Earth is an imperfect copy of that perfect form (In the picture to the left, you have a photo of a chair, a definition of a chair printed out, and an actual chair - each one is a chair but they each have different degrees of reality to them - the farther away from the ideal form they are, the less perfect they are). 

- Plato felt that achieving this perfection would be impossible but it would be important to live a good life by striving for perfection. 




B. Aristotle - Some of his ideas included deductive reasoning (that we might see in cop/mystery movies or forensics TV shows), the Golden Mean (choosing between two extremes), and the feelings of catharsis or an emotional cleansing. Aristotle was also one of the first true scientists of the ancient era who had the means to study and catalogue numerous plants and animals. 

- With the Golden Mean, Aristotle might feel today that a balance should be struck somewhere between being totally in touch with one's friends through social networking and cutting one's self off completely. 

- Here's an interesting website about a concept called the Overton Window - the points along the scale (if you mapped out the spots between one extreme and another) at which the public is willing to accept an option. 


II. Modern Philosophy 

C. Rene Descartes - He is the father of modern philosophy and started many snowballs rolling downhill, but the one we focused on here was the idea of dualism, the mind and body are separate and not linked. An example the article gave was that if you died in a dream, you wouldn't die in actuality. Movies like The Matrix and Inception deal fully with this mind / body dualism. Descartes is also known for the statement "I think, therefore I am" in which in order to exist, you must first think. Quite a concept! (See link for a further elaboration on different types of dualism).


D. David Hume - This Scottish philosopher improved upon some of Descares' ideas like skepticism (that we cannot truly ever be sure of something b/c it might not reoccur - the article uses the example of a bottle breaking when knocked off of a table). Part of the reason that this type of skepticism exists is b/c of the randomness of life and the infinite number of variables that play into it (later to be called the chaos theory in Jurassic Park or the butterfly effect). Lastly, there's the post hoc fallacy, or to believe that because we see two things occur together, one must have caused the other. Let us say that one morning I get up and turn my coffee machine on, but at the same time, the dishwasher starts up. Does that mean that X (turning coffee machine on) causes Y (dishwasher turns on)? No, not necessarily. 



E. Immanuel Kant - One of his biggest ideas was the categorical imperative, or in other words, putting yourself to a moral test for each of your actions. You should consider what would happen if everyone followed your course of actions and how that would impact society. Applying this standard to all of your actions would be the key to living a righteous life. If you cheat on taxes, then you are expecting everyone to cheat on their taxes.  

- Also, perception matters, and it differs for everyone. We can never fully perceive what we perceive b/c we are not that object which we perceive. 





F. Georg Hegel - Hegel had an idea that had been around for awhile but he refined it to something called absolute spirit - a network that connected every thing to ideas, people and other things around the universe. Hegel also came up with an idea called zeitgeist(German for time-spirit) where peoples' thoughts are guided by the political and cultural atmosphere of a specific time in history. For instance, our time period represented the angry Populist revolt, originally seen in the 1890s when farmers revolted against big business and economic inequality, is seen today in the Tea Party or Trump populism or the left-wing populism of Senators Bernie Sanders and Elizabeth Warren. 



Your Job: Pick one of these philosophers and critique his major ideas.  Make sure you include some details and explanation from the article in your response. Also, pick one which has ideas closest to your own and explain why.  Again, use details from the article and our discussion.  

Blog due by Thursday by class.  Minimum of 300 words for your answer.  

Blog #97 - Should the Batman Kill the Joker?

Please read the following article: "Why Doesn't the Batman Just Kill the Joker?" by Jesse Richards.  http://www.huffingtonpost.com/quora/why-doesnt-batman-just-ki_b_3686003.html

It brings up a few good points: 
1. The Joker will continue to kill (but does Batman murder him for future crimes - could be dangerous - or past crimes?  Joker has killed Robin, Commissioner Gordon's wife, and crippled Batgirl, Gordon's stepdaugher).
2. Batman's honor code of not killing is just a way for Batman to feel superior to the men and women of crime whom he is fighting.
3. Is Batman responsible for all of the deaths / mayhem / destruction since Batman first apprehended the Joker?  Is that chaos Batman's to own, or should it be the Joker?

Additionally, it seems, on further reflection, that the Joker, especially the way he is portrayed in The Dark Knight, is the ultimate nihilist.  Nihilism is an extreme skepticism that doesn't adhere to any moral or religious principles because they believe that life is meaningless.  In some ways, nihilism condemns existence itself.   

So, questions to answer: 
1. In which of the scenarios of the Trolley Problem do you think best applies to this situation w/ the Batman and Joker (assuming it was the Joker who is the trolley)?
2. Should the Batman kill the Joker?  Why or why not?  And if so, for what crimes - past or to prevent future crimes?
3. Should our superheroes have a no-killing code?  Why or why not?  Does it just lead to more crime?
4. Is the concept of utilitarianism useful for real life decisions?  Why or why not?

5. Is Batman a true Kantian in his refusal to kill the Joker (think Kant's practical postulates)?  

Pick 3 of the questions above to answer.  

300 words total for all 3 answers.  Due by class on Friday night (11/13) by midnight.  

Blog #96 - Interpretations of Inception

Here are several interepretations of the movie.  Your job is to read over the blog and pick three to talk about.  You don't have to agree with them: you can pick them apart with evidence from the movie. 

Questions to choose from (pick three):

1. Near the end, Mal (or her projection) in limbo makes a pretty good case that Cobb is lost in his own dream and can't tell one reality from another. Do you think that this is a plausible alternative?  Why or why not? 

2. This blog from Moviefone.com outlines six different interpretations of the film (and also five plot holes - see next question). Read it for more details on each of the six interpretations, but I'll just list each of them below. We have talked about some of them in class.

** If you decide to fully tackle more than one interpretation of Inception, this will count as another of your three questions.

a. All of Inception is a dream - are we ever really shown reality? Whose dream is it, anyway?

b. Everything after the test sedation is a dream - after Yusuf's chemical test, do we see Cobb spin his totem and see it fall properly?

c. Saito is the architect and pulls a Mr. Charles gambit on Cobb - instead of a job audition like Saito said, maybe Saito is trying to extract something from Cobb?

d. Ariadne is Cobb's therapist trying to help him get over Mal's death - This is an interesting and plausible take on the movie - found here http://halphillips.tumblr.com/post/822919795/inception

e. We do see reality in the movie (first train ride in Japan, Paris, Mombasa), but Cobb is in a dream at the end - could this explain why the totem never falls at the end of the movie? This interpretation apparently hinges on the idea that the children don't appear to have aged. Plus, we don't see how Saito and Cobb get out of limbo.

f. What we see is what we get - that we are presented with a reality at the beginning of the movie (train ride in Japan) and that Cobb is back in the U.S. at the end of the movie.

3. Evil genius theory - We should have discussed this in class, but I wonder if it's possible to show that either Saito, Mal or Cobb could be the evil genius manipulating everything we're seeing. Or could it be the film maker Christopher Nolan?



4. Is Inception really just an extended metaphor for films? In a previous blog from last semester, I posted a link from Wired, and I traced it back to its source, so I'll quote the author's take on Nolan's film:

"The film is a metaphor for the way that Nolan as a director works, and what he’s ultimately saying is that the catharsis found in a dream is as real as the catharsis found in a movie is as real as the catharsis found in life. Inception is about making movies, and cinema is the shared dream that truly interests the director."

Here's a link to the whole post: http://www.chud.com/24477/NEVER-WAKE-UP-THE-MEANING-AND-SECRET-OF-INCEPTION/

My question is, do you buy this interpretation of the movie? Why or why not? What kind of implication does it have for us as film watchers - this shared "dream space" of watching a movie together? Did Christopher Nolan just perform inception on all of us because it's now an idea, like a parasite that won't go away? :)

5. When Saito asks Cobb to take a leap of faith, he's asking Cobb to believe in him and Saito's ability to fix Cobb's problems. In some ways, Saito almost acts like a deity in this movie because through him, almost everything is engineered to work. He is the Prime Mover or causal agent - Cobb and his team are sent on their mission because they failed to extract vital info from Saito for Cobol Engineering. They are tasked to help destroy Saito's biggest competitor (Fischer), and when it's all said and done, Saito returns from limbo after many many years (remember, Mal and Cobb didn't look like they had aged when the train ran them over after just 50 yrs together, but Saito was wrinkled and withered) and supposedly sweeps away Cobb's murder warrant. What is Saito, really? Is he just a very powerful man or is he something else? Why?

6. Those of you with AP Psych experience, help us out on some of the brain / dream logistics. The way that they explain the dream rules in the movie sound plausible, but what is realistic w/ regards to dreams? Shared dream space isn't possible, is it? Any other psych insights would be greatly appreciated here.

7. Arthur mentioned it briefly on how the technology for the shared dreaming was created - by the military so that soldiers could fight/kill each other without truly maiming themselves in reality. Plus, the character played by Michael Caine, Mal's father, seems to have been the one who taught Cobb how to do what he could do. In many ways, I sense the hints of a "prequel," not a sequel for this movie. Unlike the Matrix (which probably should have been left alone instead of having 2 sequels), it might be interesting to explore how the technology for this type of thing was developed and most likely stolen. If it takes 10 years in between movies like it did with Toy Story or Tron, then so be it. What kinds of possibilities do you see in a prequel or, even if you don't agree with me, a sequel?

Some additional points and counterpoints to theories in the movie - http://inceptiontheories.com/inception-theories-points-counterpoints/

DUE THURSDAY, OCTOBER 22 BY MIDNIGHT.